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Friday, 6 June 2008

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'Caroline' was out dated in its 80's return, it clearly didn't work,
why have a Legit license then even more so now? Caroline died in the
70's, it's 80's plastic copy wasn't a touch on what it was. The 80's
Caroline was just a tribute station, a 'wanna be' Caroline. I'd rather
slit my wrists than listen to the poop eminating from the Ross Revenge
back in the 80's and thought it was bland and boring with presenters who
needed a colanic errigation to sound alive, even compared to Radio 1 or
Laser Funf Funf Acht. At least Laser had personality. Get over it guys,
Caroline is the equivalent of buying a plastic car kit of the original
car. It's like buying a plastic policeman's helmet from a souvenir shop
in Victoria, it's not the real deal.

What's all the fuss about? Caroline's legend is a little over bloated,
if it was anything it would change with the times and would still be a
recognised brand today. Caroline is as popular as calling your baby girl
Caroline Today. get over it, what ever your part is / was, simple fact
is today, no one gives a toss. It's like the t*ssrs who want to revive
Laser, radio London or RNI.... Move on!

Da Guff

Merely answering a question/opinion but thankyou for your clear and concise critique!

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Quite clearly - a number of people DO give a toss, or the station wouldn't still be broacasting. I for one am getting a little tired of people telling me what I should and shouldn't be listening to. You are entitled to your opinion, but so am I , So I won't be 'getting over' listening to Caroline thanks - 60's / 70's and 80/s Caroline is part of my history, and part of my life, and irespective of what you might think of it, you cannot erase personal memories. Don't try !
 
 
 
 
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If you don't like it - you Don't have to listen!
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DAVE RICHARDS 'JACK SPARROW' <25...> said:

What's all the fuss about? Caroline's legend is a little over bloated,
if it was anything it would change with the times and would still be a
recognised brand today. Caroline is as popular as calling your baby girl
Caroline Today. get over it, what ever your part is / was, simple fact
is today, no one gives a toss. It's like the t*ssrs who want to revive
Laser, radio London or RNI.... Move on!

Da Guff

Merely answering a question/opinion but thankyou for your clear and
concise critique!

First of all I agree with Da Guff that Caroline’s legend is a little over bloated, there popularity in the 60's was legendary as it was the first. Caroline's formats have always been very strange and not everyone’s cup of tea, despite what everyone thinks they remember in the 60's, when Caroline first started she was not the swinging top 40 station. That format lasted only 2 years and was the equivalent of a Borg organisation of today.

However Caroline has touched many peoples lives and was instrumental in being the sound track of many peoples lives in the south east of England and parts of the continent, not just anoraks. I for one as an anorak and a person who loves history enjoys both this board and Garry's and look forward to hearing more of the adventures of the past from the likes of Dave, Chris, Neil and Peter for that matter, they make for interesting reading.

As for the future of radio and bringing back old names I don't agree with starting up stations like that. Caroline is different in that they didn't give up in 67 and although it's gone through a number of different forms the present one I feel has a place. It's not run by a borg, it's finance structure is reasonably stable (until the anoraks die, unless there is a good will) and it's a good alternative to some of the stations out there at the moment. Long may it continue.

Steve

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Stephen
 
I presume from your comments that you're based in the South East. Let me give you my perspective from the North West.
 
When Caroline North took up anchorage off the Isle of Man in July 64 after the merger, it was evident (to this youngster at the time living in Manchester), that she was very much a Top 40 station and her output was very different to that of the ex-Atlanta Caroline South. With a few exceptions, during 64 and 65 Caroline South was a pretty dull affair, which is why Big L blew her out of the water. On the other hand the North ship played a very eclectic mix of music, but based around the UK charts and the American Hot 100. Through Caroline North I have a very good knowledge of the American charts of that era as the records were regularly played that were US hits, that never charted over here but nevertheless were worthy of exposure and airplay.
 
And yes, she touched many lives and was the soundtrack to our lives here oop North!
 
 

Alan
 
--------------
Alan Milewczyk aka The Pole with Soul
Soul pix on the net at www.soulman1949.com
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Alan Milewczyk <...> said:
Re: The Communicator, 189, and the DutchStephen

I presume from your comments that you're based in the South East. Let me give you my perspective from the North West.

Ahoy Hoy

I sort agree with Da Guff.

I was brought up in the South of England and like many others really felt for the guys on the ships. But when Caroline returned from the Ross, I was working in Dorset and made the considerable effort to tune in and thought 'So What?' The format was crap. It came to the point I just tuned in to see if the ship was still on the air.

To me, the Mi Amigo days in the 70's were the biz. The station was unique at the time,all day album music on 192 I seem to remember. As a teenager, memories of listening to the pleas of of the crew in mortal danger when they thought she was lost, were unforgettable.

Didn't know much about the North ship at the time, but I think now it's probable she was the hippest station around during the sixties.

If anyone's interested on BBC Radio Scotland Stuart Cosgrove, on a Sunday night, presents 'Floorfillers' which is a tribute to Northern Soul and indirectly to Caroline North.

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From: "Chris Dannatt" <...>

Quite clearly – a number of people DO give a toss, or the station
wouldn't still be broacasting. I for one am getting a little tired of
people telling me what I should and shouldn't be listening to. You are
entitled to your opinion, but so am I , So I won't be 'getting over'
listening to Caroline thanks – 60's / 70's and 80/s Caroline is part of
my history, and part of my life, and irespective of what you might think
of it, you cannot erase personal memories. Don't try !

I for one didn't hear Caroline in the 60's or 70's. I started listening just before the Mi Amigo went down. The signal up here was anorak quality at best a lot of the time. It was totally different of course in 83 when I heard the test broadcasts from the Ross, the signal would boom in as the Sun started to set, and the audio quality was quite impressive for AM. As for the format, as a 17 year old it was quite refreshing to hear a wide range of music from different artists, clutter free. It worked for me personally as I switched between Caroline and the Dublin super pirates.
I didn't like 558 much, although listening back to recordings of that era, they don't sound quite as bad as I thought they would be, maybe the memory was playing tricks!
So basically it is all about opinions, I quite liked the 83–85 era.

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From: "Stephen Sullivan" <...>


As for the future of radio and bringing back old names I don't agree
with starting up stations like that. Caroline is different in that they
didn't give up in 67 and although it's gone through a number of
different forms the present one I feel has a place. It's not run by a
borg, it's finance structure is reasonably stable (until the anoraks
die, unless there is a good will) and it's a good alternative to some of
the stations out there at the moment. Long may it continue.

I listen to the current carnation of Caroline and to be honest there are bits I love and bits I hate. I don't want to be rude to certain presenters so I won't go through the whole list of what I like/dislike, but I will say Tuesday nights are a total turn off for me, I cannot stand Elvis, for me, he is one of the most over rated artists ever, and I just don't get it! The Rock n Roll show is probably aimed at people my dads age! And the 60's & 70's just ain't really my era, although I do like a bit of punk/new wave music.
Once again it is all about tastes and opinions.

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From: "Alan Milewczyk" <...>

And yes, she touched many lives and was the soundtrack to our lives here
oop North!

Although I was too young (born in 1965) to listen myself, people around here of an older generation do still talk fondly of the station.
They must have been doing something right, but then again there was no real competition up here was there?

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I listened in the 70s up until the Dutch MOA, so I don't know if that coincides with the period to which you refer. Certainly Caroline's sound/format was unique, I liked the album format as it was a contrast to what was around at the time from Veronica and RNI. It was the era of singer/songwriters such as Gordon Lightfoot and Carole King and some great groups, the Doobies in particular, I associate with Caroline at the time.
 
Thanks for the heads up regarding "Floorfillers" but I'm a bit puzzled. Just been to Radio Scotland's website and there is no mention of the programme, either in the Listen Again, or the programme schedule or against the presenter's name. Has the series finished now?

Alan
 
--------------
Alan Milewczyk aka The Pole with Soul
Soul pix on the net at www.soulman1949.com
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As you say, it is a matter of opinion.
 
Although it's not the sole factor, age IS one of the factors. I was 6 when Elvis first hit big over here and even at that age I could hear that it was something totally revolutionary - quite simply there had been nothing like it. My father's reaction was explosive (against it), but then he was knocking on 50 and the older folks felt threatened by "Rock'n'Roll". Elvis' legacy was to fuse a number of different genres in a unique way and to bring "black" music to white audiences. The best analogy I can give is, let's suppose you've been listening to a fading battery-powered radio and all of a sudden it's plugged into the mains. It's that massive shockwave. But if you weren't around at the time, how could you possibly understand those shockwaves - I hope I don't sound patronising, that isn't the object. I'm just saying that we're products of our own eras and we notice what goes on during "our time" - everything else is a second hand experience. Don't judge Elvis by his late 60s records and his image before he died. He was a major figure in the history of Popular music and listening to his tracks laid down at Sun Studios you hear (well, I do) something special and unique, totally electrifying. The small amount of video footage from that era is exciting beyond belief, to this day, for me. Equally when he did his "TV Comeback Special" in the late 60s, that was someone who had lost his way, hadn't performed live in years and was finding he really enjoyed it and still had that magic - sure the edge of the youngster had gone but he still cut it. A shame he went down the pan and Col Tom Parker his manager has some culpability there.
 
But coming back to Caroline's output, we have a real problem as the Lady now spans 44 years and many many genres and styles have come and gone during that time. It's a tough (maybe impossible) task trying to keep everyone happy. For me, punk was the death of music as rock'n'roll had been to my father's generation.To be honest, if I were running Caroline and had the funds, I'd have (at least two) two services, a genuine Gold service - not what we get from the commercial sector - and a "current music" Caroline championing new music, new singers and new bands - let's face it, it was the tough job Ronan had trying to promote the then unknown (commercially) Georgie Fame that was the catalyst in setting up Caroline in the first place.
 
 

Alan
 
--------------
Alan Milewczyk aka The Pole with Soul
Soul pix on the net at www.soulman1949.com
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Busy doing something else I came across this and thought it was a good thing to post here:

"Youth is a circumstance you can't do anything about. The trick is to grow up without getting old." ~ Frank Lloyd Wright

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Nice quote, now define getting old!;-)
 
You see, I'm still excited in the same way by the same things (including the music) that excited me 40-odd years ago. The world around me might have changed but I haven't, not at heart anyway. I'm still young, it's a shame that various physical bits aren't!;-)
 
 

Alan
 
--------------
Alan Milewczyk aka The Pole with Soul
Soul pix on the net at www.soulman1949.com
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Stephen Sullivan wrote,

First of all I agree with Da Guff that Caroline’s legend is a
little over bloated, there popularity in the 60's was legendary as
it was the first. Caroline's formats have always been very strange
and not everyone’s cup of tea, despite what everyone thinks they
remember in the 60's, when Caroline first started she was not the
swinging top 40 station. That format lasted only 2 years and was
the equivalent of a Borg organisation of today.

However Caroline has touched many peoples lives and was
instrumental in being the sound track of many peoples lives in the
south east of England and parts of the continent, not just anoraks.
I for one as an anorakand a person who loves history enjoys both
this board and Garry's and look forward to hearing more of the
adventures of the past from the likes of Dave, Chris, Neil and
Peter for that matter, they make for interesting reading.

Sort of 'On Topic', here's a little glimpse.

I lead guided walks around South East London. There's a point on Shooters Hill where you can look down the estuary and just about see the North Sea.

I said to a bunch of walkers a few weeks ago "you can all wave at Radio Caroline now". Big smiles and nods of appreciation all round.

Many of them weren't old enough to have heard RC offshore...

They knew about The Lady though and I doubt they were thinking about Maidstone. Maybe they were all secret anoraks! Maybe they were
looking at Tilbury? (!)

All the best

Ian

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RC Guff <...> said:
Q_1_2_3_4_5_6 <...> said:

Hallo everyone. Read about this issue the Dutch thread
http://www.iradio.be/news/article.php?id=160000&group=nl.media.radio
Please protest against this by sending both an e-mail to Erik de Zwart
(for his e-mail address see that thread) and also using the contact form
on http://www.freerecordshop.nl/is-bin/INTERSHOP.enfinity/WFS/FreeRecordShop-FRS_B2C_NL-Site/nl_NL/-/EUR/ContactForm-Misc?FormId=Misc
Greetings of Nico from Gouda, the Netherlands.

Sorry, but the tecx must be corrupt. My browser can't read it. Does it
work with forefox?

Da Guff



Hi, Da Guff. Both links works with Microsoft. Nico.

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In article <32ded9ce6c06f164c42be3813b448078@jiglu-wc>, ... (Q_1_2_3_4_5_6) wrote:

Da Guff

Hi, Da Guff. Both links works with Microsoft. Nico.

Works in the lubly Firefox, Opera and IE

Regards
Eric

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The problem, Nico, is that the articles are in Dutch and as most of us don't speak Dutch, it's a real effort, even using an online translator such as Altavista Babelfish. I tried but gave up and I know a little bit of Dutch. You have to make it easy for the customer to say "yes"!;-)

Alan
 
--------------
Alan Milewczyk aka The Pole with Soul
Soul pix on the net at www.soulman1949.com
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Thanks for the heads up regarding "Floorfillers" but I'm a bit puzzled. Just been to Radio Scotland's website and there is no mention of the programme, either in the Listen Again, or the programme schedule or against the presenter's name. Has the series finished now?

Ahoy Hoy

Try this link Alex.

I missed last Sunday's show but now listening again ...if you see what I mean.

http://www.bbc.co.uk/scotland/radioscotland/email/stuartcosgrovesfloorfillers/

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Quoting a previous Alan Milewczyk contribution:-

My father's reaction was explosive (against it),
but then he was knocking on 50 and the older folks felt threatened by
"Rock'n'Roll".

Interesting and apt use of the word 'threatened'. Do you suppose 'threatened' is what yer average 50+ feels today when faced with current House, Garage and Grime music?

It's sad if it is, 'cos then the cycle's not been broken. I think if I was looking for a word I feel about the 'new music' I don't understand then it would be more about me being angry or disappointed with me for not understanding it. Or maybe depressed because of the realisation that I was now obviously past it. Hmmm. Maybe that in itself is sort of threatening.

However, I've never been as aggressively against new music as the 50+ generation seemed to be in the 1960s. Maybe there was a lot more going on that we as youngsters didn't appreciate in those days.


* Christopher England just said that *

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No, Chris, the reason was much simpler. I never really understood until much later that the July 2nd 1964 "merger" of Caroline and Atlanta was one for marketing reasons only - so rather than competing against each other, they had their own geographical patch but could promote the stations using one "call sign". The ownership remained as before. Ronan's people ran their ship, Allan Crawford's theirs.
 
Allan, if you recall, had his publishing company and saw Atlanta as a vehicle for promoting his interests (ironically in much the same way as Philip Birch had Pall Mall Music, except BigL were far smarter about the way they marketed their product). Allan really misread what the public wanted bigtime. After all, we'd had a bellyful of the BBC Light Programme covering the hits of the days, the Ross McManuses and Danny Streets and the like and yet Atlanta and then Caroline South were churning out similar pap at the time. Whereas, the people that ran the North ship didn't have the agenda of a publishing company's products to promote. Don't forget that Programme Director Christopher Moore was American and Head DJ Tom Lodge altough British by birth, had spent time in Canada so their perspective was a different one. Tom did a superb job getting a really good sound coming from the North ship - in my book he is one of the unsung heroes. Unfortunately, in this "London/Home-Counties-centric" world, not only is the North ship's part largely dismissed but so is Tom's role.
 
In late 65 the South ship went bust (as BigL got the audiences and hence the advertising)), whereupon Ronan bought out Crawford's interests and put in Tom to oversee the changeover. Tom took Mike Ahern with him, pitting Mike alongside BigL's Tony Windsor for the lucrative 9-12 housewife slot.  Tom was responsible for recruiting people like DLT and Rosko and turned around the fortunes of the South ship. Meanwhile, oops north we lost out. No two ways about it, 64-65 were the days of the North ship, 66-67 it was the South ship that kicked ass. The recruitment of JW in late 66 set the seal and the South ship had a very strong crew whereas, to be honest, the North shop lost a lot of its sparkle then, certainly as far as I was concerned.
 
Before Crawford got ousted, I would listen to the South ship occasionally as our mains radio was quite sensitive and could pick up the signal, but the South ship was really very dull, I'm sorry to say. The exceptions were the real personalities such as Tony Blackburn who did a cracking breakfast show. Keith Skues also stood out as very different in some ways with his various catchphrases but even he sounded very old school and establishment and dare I say it, very BBC. Whereas on the North ship we have Tom, Mike Ahern, Bob Stewart, Jerry Leighton, all of whom had personality and their own individual styles. But the music, Chris, oh, it was just superb. As I've said my knowledge of American Pop music from that era is superb, because of the heavy playing of tracks from the Billboard Hot 100. That too, crossfed the music played in the local clubs such as the Twisted Wheel, later to become tagged as the Birthplace of Northern Soul.
 
I wonder whether Ronan and his people played a canny game in the merger, knowing that Crawford's music policy was doomed to failure and that it was a matter of sitting it out until the inevitable happened. I guess we will never know.

Alan
 
--------------
Alan Milewczyk aka The Pole with Soul
Soul pix on the net at www.soulman1949.com
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